Kate Chu's Pressed Flower Art
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Pressed Flower Art Tools & Press

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Microfleur Regular (5 X 5 inches) $29
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Microfleur Max (9 X 9 inches) $45
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Japanese Press with cushion (8.5X11 inches, 6 pads with enclosable Mylar bag) $45
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Japanese Pressing paper (45 sheets to be used with the Japanese press with cushion) $7.00
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Japanese resin glue $4.00
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Precision tweezers - A must for detailed pressed flower artwork. This is the same tweezers optical surgeons use.$7
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Precision Scissors - A must for detailed pressed flower artwork. This is the same scissors optical surgeons use. $15
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Drytac ArtShield Mattex™ UV 3.0 mil lamination film (8.5X11 inches)

This HeatSet™ PVC (vinyl) laminating film has a semi-matte finish and provides excellent UV protection. It is slightly tacky for easy position. Use the peeled off under sheet (shinny side face the vinyl) and a soft cloth on the top and then apply low heat household iron to secure. $0.75
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Magic-glos $9.50

It’s MAGIC! This one step process is easier than 1-2-3. No additional sealing or cleansing methods are required.

Product features:

  • Non-toxic handling and no odor.

  • Great for mixing or embedding glitter, pressed flowers, beads, charms, etc.

  • No shrinkage and waterproof!

  • Wonderful for sealing transfers, foils, leafing mosaics and more!

  • Crystal clear results!

  • Easily creates enhanced faux dichro effects and domed cabochon effect with multiple layer applications.

  • Magnifies your design.

  • Ideal on creative surfaces to add shine or dimensional effects such as water droplets, raised patterns, etc.

  • Cures with sunlight or a UV Light.


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Lisa Pavelka Signature Series Foils $5.90

Lisa pioneered the use of Mylar-backed foils for polymer clay with her Faux Dichroic technique, the "Pavelka Peel" and several other applications for creating dazzling artwork with this versatile material. Simply roll out a sheet of polymer clay, lay the foil over the clay, coated side down, and burnish with a scrap of paper between your fingers and the foil. This causes the metallic coating of the foil to attach itself firmly to the clay in seconds. Rip the sheet off the clay in one quick movement. The backing sheet comes away, leaving the clay covered with a wonderful metallic finish.
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